Ryoko Suzuki and Marc Séguin reviewed in current issue of BORDER CROSSINGS

...Suzuki cleverly turns a Japanese pop culture practice on its head and provides an interesting avenue into understanding the notion of manufactured desire in contemporary Japan. -- Carla Harms

Séguin's figuration broaches abstraction the way Jean-Paul Riopelle's abstraction always broached figuration ... Séguin paints the figure, but invokes and evokes registers of meaning that lie below, above or beyond the ground plane of representation. -- James D. Campbell