Saturday, March 31, 2012

Sharon Switzer-Globe and Mail
















R.M. Vaughan
From Saturday's Globe and Mail
Published Friday, Mar. 30, 2012 4:30PM EDT

All Sharon Switzer needs
is a comfy Freudian couch


Sharon Switzer at Corkin Gallery
Until 24 April, 7 Tank House Lane, Toronto; corkingallery.com
Sharon Switzer’s exquisite new video and digital print exhibition, Nearly Present, fills the lower hall of the Corkin Gallery with spectral, transient visions, spacey energy waves, a fleeting, incantatory visual hum, and no small amount of disco-ball glam. That’s a lot of punch from four flat screens and five framed prints.
I don’t pretend to fully understand the highly specialized, laptop mechanics behind Switzer’s creations, so I’ll let her explain them herself:
“I work with software that processes images over time. Within that, I work with an effect that’s called particle effect. All that really means is that the effect shoots out little white dots, or particles, that can look like circles or little streaks, and after that, there are about two hundred different options that I have for deciding how those dots look, how they move over time, how they react, in this made up physical space.”

Tuesday, March 20, 2012

Corkin Gallery presents an Exhibition by Sharon Switzer

CORKIN GALLERY

SHARON SWITZER
NEARLY PRESENT

Opening: Saturday, March 24, 2012, 2 - 5pm




Corkin Gallery cordially invites you to the opening of an exhibition of new works, featuring video animations and prints by Sharon Switzer.
March 24 - April 24, 2012

Nearly Present imagines the otherworldly beauty of the ethereal. In this new body of work, Sharon Switzer experiments with particle systems; using this commercial software to create unusual and evocative animations. The work also touches on the artist's earlier interests in the relationship between photography and the invisible: ghosts, time, things that photography shouldn't be allowed to capture but does.
In this work, Nearly Present is the disembodied space of the digital and the virtual that exists unseen around us. Forgoing the ironic humour intrinsic to previous bodies of work, Switzer has created mesmerizing ethereal videos that have no need for language. This work hovers just outside of the known world, like ghosts caught in the machine.
To view works in this exhibition, please click on the following link:

CORKIN GALLERY
Distillery District, 7 Tank House Lane, Toronto, Canada M5A 3C4
Tel 416.979.1980
director@corkingallery.com

Tuesday, March 6, 2012

Canada at the New York Fairs: Art from the Upper North Side
VARIOUS LOCATIONS, NEW YORK MAR 6 TO 11 2012
by BILL CLARKE
Also at the piers, Toronto’s Corkin Gallery displayed a blue-chip selection of work by Canadian and American photographers, including Garage Door, Vancouver, British Columbia (1967), an early lightbox by IAIN BAXTER&. The standout was Headlighting (1974–77), a series of black-and-white images by Thaddeus Holownia that picture moustache-and-bell-bottom-sporting dudes posing with their boat-sized cars.


A view of Corkin Gallery’s booth at the Armory Show, featuring Francesco Scavullo’s Mikhail Baryshnikov (left) and Thaddeus Holownia’s Headlighting (right) / photo Bill Clarke
Please click on the link below to view additional works in the exhibition

CORKIN GALLERY
Distillery District, 7 Tank House Lane, Toronto, Canada M5A 3C4
Tel 416.979.1980
director@corkingallery.com

Monday, March 5, 2012

CORKIN GALLERY





Distillery District, 7 Tank House Lane
Toronto, Canada M5A 3C4
Tel 416.979.1980 info@corkingallery.com

Friday, March 2, 2012

Chad Gerth, City Lots, Exhibited at the Helsinki Photography Biennial, 2012




Chad Gerth is congratulated for his invitation to the Helsinki Photography Biennial 2012. City Lots, from Chicago, is exhibiting at the Helsinki City Museum March 2 through April 22, 2012.



Helsinki Exhibition catalogue

Works by Chad Gerth



CORKIN GALLERY
Distillery District, 7 Tank House Lane, Toronto, Canada M5A 3C4
Tel 416.979.1980
director@corkingallery.com